For Scorsese, the "final rewrite" of a film happens in the editing room. Working with his longtime collaborator Thelma Schoonmaker, he has pioneered styles that feel both kinetic and deeply personal.
: Scorsese explains how a setting is a character in itself, using his iconic depictions of New York City as a primary example. The Magic of the Edit MasterClass.Martin.Scorsese.Teaches.Filmmaking....
By the end of the 30+ lessons, you won't just know how to make a movie—you'll understand why you must make it. For Scorsese, the "final rewrite" of a film